Film producer is the person who oversees the production of the film. Whether employed by a production or independent company, producers plan and coordinate various aspects of film production, such as choosing a script, writing coordination, directing and editing, and arranging financing.
During the "discovery phase", the producer finds and chooses materials that are promising for development. Then, unless the film is based on an existing script, the producer has to hire a screenwriter and oversee the development of the script. Once the script is finished, the producer will lead the pitch to secure financial support ("green light") to allow production to begin.
The producers also oversee the pre-production, production and post-production stages of filming. One of the most important tasks is to hire a director, and other main crew members. While directors make creative decisions during production, producers usually manage logistics and business operations, although some directors also produce their films. Producers are tasked with ensuring that movies are delivered on time and on budget, and have final decisions about creative decisions. Finally, the producer will oversee marketing and distribution.
For various reasons, manufacturers can not always keep an eye on all production. In this case, the major producers can hire and delegate jobs to executive producers, line manufacturers, or unit production managers.
Video Film producer
Type
Different types of producers and their roles in the industry today include (no order of seniority):
Executive producer
They oversee all other manufacturers working on the same project. They ensure that producers fulfill their roles in given production. They can also be responsible for managing film finance and handling all aspects of the film business.
Producer line
Manage staff and day-to-day operations, and oversee every physical aspect involved in filmmaking or television programs. Line producers can be credited as "produced by" in certain cases.
Supervisor producer
Oversee the creative process of developing scenarios and often assist in rewriting scripts. They can also serve as a substitute for the role of Executive producer to oversee other manufacturers.
Producer
In the production process they can supervise, organize, manage, and initiate every aspect. They are involved in every stage of the production process as a whole.
It is part of the producer team that performs all the functions and roles that a manufacturer will have in a particular project.
Producer coordinator or production coordinator
Coordinate the work/role of some producers who are trying to achieve a shared result.
Producer liaison or producer assistant
Assist manufacturers during the production process. They can sometimes be involved in coordinating the work of others, such as making people's schedules and hiring the ultimate talent.
Segment manufacturer
Generate one or more single specific segments from multi segment film or television production.
Field producer
Assist the producer by overseeing all production that takes place outside the studio at a specific location for the movie.
Maps Film producer
Responsibility
Development (movie rights)
During this stage of production process, manufacturers bring together people like film directors, cinematographers, and production designers. Unless the film should be based on the original script, the producer should find the appropriate screenwriter. If existing scripts are deemed flawed, they may order a new version or make a decision to hire a doctor. The producer also has a final decision about the film director, cast, or other staff employed. In some cases, they also have the last word when it comes to asking questions. The producer's role will also consist of agreeing location, studio hire, final shoot script, production schedule, and budget. More time and money spent on pre-production can reduce time and money wasted during production time.
Pre-production
During production, the task of the producer is to ensure the film stays on schedule and under budget. They will always be in touch with directors and other key creative team members. In addition, cast and film players often work in different times or places, and certain films even require a second unit. As a result, it is normal that the major producers will designate executive producers, line manufacturers, or unit production managers that represent the interests and vision of the major producers. Executive producer for Star Wars Episode IV: The New Hope , The Empire Strikes Back , and The Return of Jedi is George Lucas himself, creator of the universe > Star Wars .
Production
For various reasons, manufacturers can not always self-supervise all their production parts. For example, some manufacturers run companies that are also associated with the distribution of films. In addition, cast and film players often work in different times and places, and certain films even require a second unit. Consequently, it is normal that the major producers will designate executive producers, line manufacturers, or unit production managers that represent the interests of the major producers.
Postproduction
During postproduction, the producer has the last word about whether the sound, music, or scene should be changed or cut. Even though the shootings have been completed, the producers can still demand additional scenes to be filmed. In the case of a negative test screening, the producer may even demand and obtain alternative ending films. This happens, for example, with First Blood. The test audience reacted very negatively when Rambo died, so the producer returned a new final shoot. In addition, manufacturers work with marketing and distribution companies to sell movies or manage their distribution rights.
Unity
In industry, all manufacturers' union contracts are negotiated by the Motion Picture and Television Producers Alliance (AMPTP). The company was founded in 1924 by the US Trade Association as the Motion Film Producer Association. Originally created only to negotiate employment contracts, but during the mid-1930s they took over the responsibility of contract negotiations ever controlled by the Motion Arts and Sciences Academy. The alliance negotiates with various other associations when dealing with union contracts. This association includes, Federated American Television and Artist Radio (AFTRA), Guild of America (DGA), and Screen Actors Guild (SAG). They negotiated over eighty trade union agreements across the industry and on behalf of 350 manufacturers in the industry. It has been responsible for negotiating all union contracts in this industry since 1982. Today, it is considered as the representative of official industry contract negotiations for everyone in the industry.
Career process
There are many different ways to become a film producer. Stanley Kramer began as an editor and writer, while other producers began as actors or directors.
However, most manufacturers start in college, university, or film school. On the occasion of announcing his own film school, 'ÃÆ'â € cae de la Cità © Ã… ©, film producer Luc Besson admits that early in his career, he will appreciate the opportunity to attend film school. Film schools and many universities offer degree programs that include knowledge of film production, with some courses specially designed for future film producers. These courses focus on key topics such as pitching, script development, script judgment, shooting schedule design, and budgeting. Students may also expect practical training on postproduction. Training at the top production school is one of the most efficient ways a student can perform to show that they are not a beginner.
Although education is one way to start a career as a film producer, experience is also needed to get a job. Internships are a great way to gain experience while at school and provide students a solid foundation for building their careers. Many paid internships, which allow students to earn money while gaining direct skills from industry professionals. Through internships, students can connect with people in the film industry as well. It pays off in the end when looking for work after school. After the apprenticeship is complete, the next step is usually to land a junior position, such as a production assistant.
Although tariffs may vary based on the role of the producer and the filming location, the average salary can range from $ 20,000 to $ 70,000, even twice as much when working in Los Angeles. The average annual salary for a producer in the US is $ 109,844. When examining more than 15,000 producers in the Los Angeles metropolitan area, the average annual salary was $ 138,640. Manufacturers can also have approval to take a percentage of movie sales.
No average weekdays for movie producers, because their tasks change day by day. Producer work hours are often irregular and may consist of very long days with the possibility of working nights and weekends.
Leading manufacturers
References
Further reading
External links
- Media related to Film producer on Wikimedia Commons
Source of the article : Wikipedia
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