Direct to-video or directly to-video refers to a live release of a movie in a home video format rather than a theatrical broadcast or television broadcast.
Because low-sequel or prequel movies with larger budgets can be released directly to the video, reviewing references for direct releases to videos is often degrading. Direct release to video is also beneficial for independent filmmakers and small companies.
Video Direct-to-video
Reasons to release directly to video
A production studio may decide not to publicly release a TV or movie show for several possible reasons: low budget, lack of support from TV networks, negative reviews, controversial nature, which may appeal to a small niche market, or lack of public interest generally. Studios, limited in the number of annual films they give cinematic releases, can choose to pull completed movies from the cinema, or never show them in the cinema at all. The studio then generates revenue through video sales and rentals.
Direct releases to videos have historically stigmatized technical or artistic qualities that are lower than theatrical releases. Some of the movies that were released directly to the video were films that had been completed but never released in theaters. These delays often occur when a studio doubts the commercial prospect of a movie justifying the release of the complete theaters, or because its release window has been closed. In the film industry slang, such films are referred to as "vaulted".
Direct release to the video can be done for movies that can not be shown theatically because of controversial content, or because the costs involved in the theatrical release are outside of the releasing company.
The animated sequels and long episodes of the animation series are also often released in this mode. The Walt Disney Company started making sequels of many animated films for video releases that began with The Return of Jafar (sequel to Aladdin ) in 1994 and Aladdin and King of Thieves (the second sequel to Aladdin ) in 1996. Universal Studios also started its long line of The Land Before Time sequels in the same year.
Studios can also release sequels or spin-offs to live action films directly to DVD, due to a lack of budget compared to the original. An example is the movie series Behind Enemy Lines.
The family movie segment is a major part of direct selling to video. According to Los Angeles Times ,
Often, the fall of live-action family films at the box office is their power in the video. Their attraction is to families with small children, who may only watch a few movies per year, but who will watch a lot of videos multiple times. Teenagers and young adults who are driving blockbuster box office statistics away from family movies.
During the Golden Age of Porn in the 1970s, many pornographic films were released in theaters, some of which became best-selling films in their years of birth and in the pornography industry. By the 1980s, pornography began to shift to video releases, as video enabled producers to work on very low budgets and discard some elements of film production such as scripts, and increased privacy and convenience of format changes preferred by the target market. During the 1990s, pornographers began releasing content through paysit on the Internet.
Maps Direct-to-video
Physical release format
Direct-to-video movies play theatically
Sometimes, a studio that makes a movie prepared as a live-to-video movie will release it theatically at the last minute due to the success of another film with similar subject matter or final studio decision. Batman: The Phantasm mask is an example of this. However, despite the critically acclaimed film's success, its box-office performance is very bad, which has been attributed to its last minute decision to be released theatrically. The film has a much better commercial success in the next home video release.
At other times, direct-to-video movies may get limited theatrical screenings to build excitement for actual video releases as it did for 2010 Justice League: Crisis on Two Earths Batman: The Killing Joke and Planet Hulk , or 2013's Sharknado .
Direct-to-disc or "DVD Premiere"
Because DVDs are gradually replacing VHS video cassettes, the term "direct-to-DVD" replaces "direct-to-video" in some instances. However, the word "video" does not always refer to videocassettes; many publications continue to use the term "direct to video" for DVDs or Blu-ray discs. Both types of disk-based releases can also be referred to as "direct-to-disc". The new term sometimes used is "DVD premiere" (DVDP). Such movies can cost about $ 20 million, about a third of the average cost of a Hollywood release. According to the Variety , American Pie: Camp Band sold a million copies in a week, though only retained two actors from the original trilogy.
Some direct broadcasts to DVDs recently tend to feature actors who were once bankable stars. In 2005, salaries for several direct-to-DVD actors in the range of millions of dollars from $ 2 to $ 4 million (Jean-Claude Van Damme) and $ 4.5 to $ 10 million (Steven Seagal), in some cases exceeded the theater the tariff actors.
Digital releases
Direct-to-iTunes
Direct to iTunes is an online distribution method that avoids all the cost of DVD production, marketing and leading distribution and distribution of cinema movies and marketing costs. Apple distributes movies for 30% of revenue, while an additional 10-15% can be given to people who formats movies for iTunes compatibility. The first feature-length film independently produced to pursue a direct-to-iTunes marketing scheme is Ed Burns' Ungu Violets , which debuted on iTunes on November 20, 2007. It was the first feature-length movie to " premier exclusively on iTunes ". It is distributed exclusively on iTunes at a price of US $ 14.99 for a month before available through other distribution channels. The film, produced at a cost of $ 4 million, was aired at the Tribeca Film Festival in April, where it was reviewed positively, but received only modest distribution deals. At the time of the release of Purple Purple, most studios did not distribute via iTunes at the start of the process and only Walt Disney Studios, the first movie studio distributed through iTunes, were distributing on iTunes simultaneously with DVD Distribution. It is not too common for consumers to purchase digital movies at that time. Polish Brothers' 2011 For Lovers Only , who barely have production costs and released to iTunes on July 12, are considered the first profitable first-to-iTunes long feature. Direct-to-iTunes methods are also becoming common with both books and music.
When Purple Violets was released, some short films have been distributed through iTunes. Previously, short film marketing has become a barrier. However, Apple distributed 25th Annual Academy Awards nominations for Animated Shorts, Live Action Shorts and Documentary Shorts as well as half of the 2007 Sundance Film Festival shorts, which started a new era.
Direct-to-stream
Due to the growth of YouTube and other video streaming websites, the premiere of more film length formats going through online streams. Long-duration movies to premiere on YouTube or other sites including Home (2009), The Cult of Sincerity (2008), Life in a Day ( 2011), God's Eyes and Ears: Video Watching Sudan (2012) and Zeitgeist: The Movie (2007). In 2010, Striker was the first Indian film premiered on YouTube on the same day it aired in theaters.
In 2013, the video streaming service subscribed to Video Netflix and Amazon began releasing original content.
V-Cinema and OVA Markets in Japan
The Japanese V-Cinema's direct action can serve as a stepping stone toward greater things. Naoko Iijima began her career on various late-night TVs, and then focused on V-Cinema titles such as Strawberry Times 4 and Zero Woman: Final Mission (Zero WOMAN ?? 0 Zero Woman: Keishich? 0-ka no onna) before moving on to a career in mainstream movies and TV. Culture Director Takashi Miike has released some of his work as V-Cinema may prefer freedom. The Weather Report Girl (1995) starring Kei Mizutani is a rare case of a work released to the video, and then pulled by the author, and released to theaters for great success. V-Cinema can be used for successful movie sequels (eg Zero Female , Sasori , Kunoichi Ninpoden , Baka Yaro or Pantsu no Ana ). The content can be sexier or more vicious than mainstream feature films.
In the case of anime, this is called the original video animation (sometimes upper case, and abbreviated OVA or OAV). They are often used to tell stories too short to fill a full TV season, or to take creative risk without pressure from TV studios and corporate sponsors and are very common in the early 1990s. OVAs sometimes accumulate enough interest to justify a full-fledged TV show, such as Tenchi Muyo! , El Hazard , and Read or Off .
With the convenience of the 13-episode season format, OVA is less common now. The majority of OVAs released on the market today are usually the continuation or rework of recently completed TV shows. For example, a DVD release of a TV show may, as a sales hook, including a bonus episode that was never aired.
See also
- On-demand video
- Movie B
- Home videos
- First run (movie creation)
- The first syndication executed
- List of live animated series to video
- List of Disney direct-to-video movies
- List of best-selling movies in the United States
- Television movies
- Category: Direct movie to video for direct production list to video
References
Further reading
- Mayo, Mike (1997). Video Video VideoHound: The Only Guide to Originals Video and Limited Release . Ink Press Visible. ISBN: 0-7876-0825-4.
Source of the article : Wikipedia
0 Comments